William Moersch Series

William Moersch is Professor and Chair of Percussion at the University of Illinois Urbana-Champaign. Internationally renowned as a marimba virtuoso, chamber and symphonic percussionist, recording artist, and educator, he has appeared as soloist with orchestras and in recital throughout North and South America, Europe, the Far East, and Australia. A regularly featured artist at international percussion festivals, Mr. Moersch has performed on more than seventy recordings and is perhaps best known for commissioning over the past thirty years much of the prominent modern repertoire for marimba, from composers including Irwin Bazelon, Richard Rodney Bennett, Martin Bresnick, Jacob Druckman, Eric Ewazen, David Lang, Paul Lansky, Libby Larsen, Steven Mackey, Akemi Naito, Roger Reynolds, Gunther Schuller, Joseph Schwantner, John Serry, Andrew Thomas, Alejandro Viñao, and Charles Wuorinen. In addition, he was the first marimbist ever to receive a National Endowment for the Arts Solo Recitalist Fellowship and has also been honored by NEA Consortium Commissioning and Recording grants. 

Prior to his appointment at the University of Illinois, Mr. Moersch was a free-lance musician in New York City for over two decades. He performed with the American Symphony, Metropolitan Opera, New Jersey Symphony, New York Chamber Symphony, New York City Opera, Orchestre de la Suisse Romande, Royal Liverpool Philharmonic, as a featured soloist in the New York Shakespeare Festival’s Broadway production of The Pirates of Penzance, and on numerous motion picture soundtracks. Mr. Moersch also created graduate degree programs in marimba performance at the Peabody Conservatory and Rutgers University and has presented master classes throughout the world. Currently, he is Principal Timpanist of Sinfonia da Camera and the Champaign-Urbana Symphony Orchestra, Artistic Director of New Music Marimba, and an Artist Endorser for Pearl / Adams Percussion, SABIAN cymbals, Grover Pro Percussion, and Innovative Percussion mallets.